January 26 & 27, 2023
7:30 p.m.
Unlike anything you have ever heard, this unique group samples principles of hip-hop and classical music. The sound is rigorous, nuanced, accessible, and vibrant. The result is a seamless musical experience with “textures swimming through the sound…like the world's fastest ping-pong game,"(Pitchfork), and is considered the "cutting edge of hip-hop," (Huffington Post).
This performance is suitable for ages six and up.
As we prepare to welcome the community to experience the wonder at The Noorda, I’d like to thank you for making it all possible.
The performing arts inspire us to engage with others, discover new ways of thinking and feeling, and provides us with hope—in short, we believe the arts transform you. As an exciting hub for the arts in Utah County, we produce hundreds of performances by talented students, faculty, and world-renowned visiting artists. We invite everyone to join in connecting through the arts.
As part of UVU’s inaugural EverGREEN fundraising campaign, I invite you to make a gift to UVU’s Noorda Center for the Performing Arts today.
Your gift impacts not only students, but everyone who comes to The Noorda by ensuring programming and exciting artistic creation continues.
Please make a gift today by clicking below. Thank you!
Click here to stay in-the-know about all the fantastic events coming up at The Noorda. Never miss out on an evening of WONDER!
Ensemble Mik Nawooj (EMN)’s Hip-Hop Orchestra Experience is part concert, dance party, and club night featuring original music that samples from classical and hip-hop—all presented in an underground setting like the New York scene that birthed hip-hop. Their music uniquely challenges the MCs and classical musicians pushing the boundaries of both hip-hop and concert music, creating something completely new. The program includes seminal works of Mozart, Bach, and Beethoven, deconstructed and reimagined with funky rhythms and rapid-fire rhymes.
Led by composer/pianist, JooWan Kim, the Hip-Hop Orchestra Experience featuring EMN creates Metamusic by sampling principles of Hip-Hop and Classical. Executed with resident MCs, a lyric soprano, woodwinds, French horns, strings, piano, and drums, the music is rigorous, nuanced, accessible, and free from the dogmas of Western European concert music aesthetic. The result is seamless tête-à-tête with "textures swimming through the sound...like the world's fastest ping-pong game" (Pitchfork) and is considered the "cutting edge of hip-hop" (Huffington Post).
After a successful performance of a novelty piece which featured an MC and chamber ensemble, Kim had a profound shift in the direction of his writing. He felt that he found a way out of the stifling contemporary concert music aesthetic in this new way of composition. JooWan crystallized his ideas into Method Sampling, a principle of borrowing or sampling of rationales from related as well as unrelated fields, then reframing them into one's own system.
In 2010, JooWan Kim recruited his best friend from college, Christopher Nicholas to push the project forward in a serious way. Since then, EMN attracted some of the most excellent classical musicians and MCs in the SF Bay Area while gaining national attention from outlets such as BBC, ESPN, Wall Street Journal, Huffington Post, NPR, Pitchfork, NowThis, and more.
Flute Caryl Klemann |
Viola LeeAnne Morgan |
Clarinet Jeff O'Flynn |
Cello Monika Rosborough-Bowman |
Oboe Luca Florin |
Bass Justin Morgan |
Bassoon Andrew Apgood |
Drum Set Chris Petty |
Horn Anita Miller |
Keyboard Gerta Wiemer |
Violin Marcel Bowman |
Soprano Emily Nelson |
Conductor Chris Ramos |
Artistic Director
Martina Jorgensen
|
Utah Valley University acknowledges that we gather on land sacred to all Indigenous people who came before us in this vast crossroads region. The University is committed to working in partnership—as enacted through education and community activities—with Utah’s Native Nations comprising: the San Juan Southern Paiute, Paiute Indian Tribe of Utah, Uintah & Ouray Reservation of the Northern Ute, Skull Valley Goshute, Confederated Tribes of the Goshute Reservation, Northwestern Band of Shoshone Nation, Hopi Tribe, Navajo Nation, Ute Mountain Ute-White Mesa Community, and urban Indian communities. We recognize these Native Nations and their continued connections with traditional homelands, mountains, rivers, and lakes as well as their sovereign relationships with state and federal governments. We honor their collective memory and continued physical and spiritual presence. We revere their resilience and example in preserving their connections to the Creator and to all their relations, now and in the future.
With this statement comes responsibility and accountability. We resolve to follow
up with actionable items to make the School of the Arts at UVU and The Noorda Center
for the Performing Arts an inclusive, equitable, and just space for all. There is
much work to be done, and we are committed to putting these words into practice.
Artwork by Shane Walking Eagle (Sisseton Dakota).
Our mission is to produce and present artistic excellence, which would not be possible without the generous support of our sponsors. We thank them and express our deep gratitude to all patrons, supporters, and friends of The Noorda.
The arts possess the unparalleled power to inspire, educate, liberate, and transform. They elevate moments, mark milestones, soften edges, and generate profound meaning. Experience the beauty and wonder of the arts with us this season at The Noorda and begin at once to live!
Courtney R. Davis, J.D., M.A.
Dean, School of the Arts
Plan B Theatre Presents: Bitter Lemon
A (SORT OF) WORLD PREMIERE BY MELISSA LEILANI LARSON
APRIL 11-28, 2024
IN THE STUDIO THEATRE
Click Here for Tickets