February 23 & 24, 2024
7:30 p.m.
HISSY FITS
(excerpt)
2006
Choreography: Dwight Rhoden
Music: Johann Sebastian Bach
Lighting Design: Michael Korsch
Costume Design: Christine Darch
Staged by: Clifford Williams
Performed by: The Company
MUSIC CREDITS
Toccata & Fugue in D Minor, BWV 565, Composed by Johann Sebastian Bach, Performed by Gabriela Montero, EMI CLASSICS, Chromatic Fantasy in D Minor, BWV 903a, Performed by Glenn Gould, Composed by Johann Sebastian Bach, DomenicoScarlatti, Carl Philipp Emanuel Bach and Johann Bernard Bach, Performed by Glen Gould, SONY CLASSICS, Chaconne from Partita in D Minor, Composed by Johann Sebastian Bach, Performed by Dietrich Buxtehudem, T. Albioni, Antonio Lotti & Jean Baptiste Loeillet, EMI Classic
HISSY FITS was commissioned by NJPAC Alternate routes
_
CHOKE
2006
Choreography by: Dwight Rhoden
Music: Vivaldi (The Four Seasons - Summer)
Lighting Design: Michael Korsch
Costume Design: DRSquared
Performed by: Christian Burse and Marissa Mattingly
PROGRAM NOTE
CHOKE is originally a duet for two men that highlights opposing qualities and competitive energies.
_
ENDGAME/LOVE ONE
(excerpt)
2022
Choreography: Dwight Rhoden
Assistant Choreographer: Desmond Richardson
Music: J.S. Bach
Lighting Design: Michael Korsch
Costume Design: Christine Darch
Performed by: Chloe Duryea and Miguel Solano
PROGRAM NOTE
Endgame/Love One is ultimately about love and survival, infinite possibilities, closed chapters, and next steps. A collection of stories, moods and fascinations.
MUSIC CREDITS
Kyriena, Performed by Skúli Sverrisson and Víkingur Ólafsson, Written by Johann Sebastian Bach and Skúli Sverrisson, Published by Deutsche Grammophon (DG).
_
ELEGY
2020
Choreography: Dwight Rhoden
Music: Ludwig van Beethoven
Lighting Design: Michael Korsch
Costume Design: Christine Darch
Performed by: Jillian Davis
In loving memory of Dolores Rhoden and Yvonne Richardson.
Unconditional Love. Believer. Matriarch. Fighter. Forever In Our Hearts.
MUSIC CREDITS
“Sonata No. 14 in C-Sharp Minor. Op 27 No. 2 “Moonlight”: I: sostenuto (Redbook Stereo)
Performed by Arthur Rubinstein; Published by Sony Music
_
THE CURVE
(excerpt)
2012
Choreography: Dwight Rhoden
Stager: Jourdan Epstein
Rehearsal Directors: Jamie A. Johnson and Christa St. John
Rehearsal Assistants: Olivia Perry and Bailey Phillips
Music:Michael Nyman, Hauschka, Hildur Guonadottir, Emil Dedov and Ryuichi Sakamoto
Lighting Design: Michael Korsch
Costume Design: Kelly Brown
Performed by members of the UVU Department of Dance:
Abigail Crittenden, Ciera Erekson, Aubrey Fisher, Madison Foulger, Raquel Miller,
Heather Morley, Emilia Morris, Emma Rains, Madelyn Smith, Andy Sefcik, Tenley Troutner,
Kenady Vereen, Laurie Wilson, Olivia White
Understudies: Laura Danneman, Ivy Drumm, Brooklyn Johansen, Antonella Regazzoni
MUSIC CREDITS
Michael Nyman, Hauschka, Hildur Guonadottir, Emil Dedov and Ryuichi Sakamoto
PROGRAM NOTE
This collaboration was made possible, in part, through the support of a UVU School of the Arts High Impact Practices Competitive Grant anda Grant for Engaged Learning through the UVU Innovation Academy.
_
LOVE ROCKS
(FLY AWAYexcerpt)
2020
Choreography: Dwight Rhoden
Music: Lenny Kravitz
Lighting Design: Michael Korsch
Costume Design: Christine Darch
Sound Design: Corey Folta
Performed by: The Company
MUSIC CREDITS
“Fly Away”
Written by Leonard A. Kravitz and Craig David Ross with permission of BMG Gold Songs and Wigged Music
Rights/Clearances: BZ/Rights & Permissions, Inc.
PROGRAM NOTES
"We've got to dance and be in love." - Lenny Kravitz
Special thanks to Lenny Kravitz.
– INTERMISSION –
FOR CRYING OUT LOUD
2023
Choreography: Dwight Rhoden
Music: U2
Lighting Design: Michael Korsch
Costume Design: Christine Darch
Performed by: The Company
MUSIC CREDITS
Where The Streets Have No Name, Every Breaking Wave, Vertigo, I Still Haven’t Found What I’m Looking For, With Or
Without You, I Will Follow, Two Hearts Beat As One, Invisible, Until the End of the World, Pride (In the Name of Love), Walk On (Ukraine). Performed by U2, Written by Adam Clayton, Bono, The Edge, Larry Mullen Jr., Published by Universal Music Publishing Ltd.
Hailed as a “matchless American dance company” by the Philadelphia Inquirer, Complexions Contemporary Ballet transcends dance tradition through a groundbreaking approach to the art. Founded in 1994 by master choreographer Dwight Rhoden and the legendary Desmond Richardson, Complexions’ foremost innovation is to remove boundaries, not reinforce them. The company blends methods, styles and cultures from across the globe, and the result is a continually evolving form of dance that reflects the movement of our world — and all its cultures — as an interrelated whole.
Complexions’ artistic directors and company members teach master classes around the world to dancers of all levels, bringing the company's inventive vision of human movement to five continents, over 20 countries and over 20 million television viewers. The company has also performed at major dance festivals throughout Europe. These include Italy’s Festival of Dance; France’s Isle De Dance Festival and Maison De La Dance Festival; the Holland Dance Festival; Switzerland’s Steps International Dance Festival; Poland’s kódź Biennale, Warsaw Ballet Festival and Kraków Spring Ballet Festival; and Spain’s Dance Festival of Canary Islands. Complexions has toured extensively throughout the Baltic Regions, Korea, Brazil, Japan, Egypt, Germany, Italy, Israel, Russia, New Zealand, Bermuda, Serbia, Jamaica and Australia.
Complexions Contemporary Ballet has received The New York Times Critics’ Choice Award, among numerous other awards. It has appeared in theaters across the U.S., including the Joyce Theater, Lincoln Center, Brooklyn Academy of Music, New Victory Theater (New York City), the Mahalia Jackson Theater for the Performing Arts (New Orleans), Paramount Theatre (Seattle), The Music Center (Los Angeles), Winspear Opera House (Dallas), Cutler Majestic Theatre (Boston), the Music Hall (Detroit), and the Kennedy Center (Washington, D.C.) as part of the 2017 Ballet Across America. Prominent theaters abroad that have hosted Complexions include the Bolshoi Theatre, the Kremlin Theatre (Moscow), The Mikhailovsky Theater (St. Petersburg) and the Melbourne Arts Center.
In the 30 years since its inception, the company has witnessed a world becoming more fluid, more changeable and more culturally interconnected than ever. Today, Complexions Contemporary Ballet represents one of the most recognized and respected performing arts brands worldwide.
DWIGHT RHODEN (Co-Founder, Co-Artistic Director, Principal Choreographer) has established a remarkably wide-ranging career, earning distinction from The New York Times as “one of the most sought out choreographers of the day.” A native of Dayton, Ohio, Rhoden began dancing at age seventeen. Rhoden has performed with Dayton Contemporary Dance Company, Les Ballet Jazz De Montreal, and as a principal dancer with the Alvin Ailey American Dance Theater. In 1994, Rhoden and Desmond Richardson founded Complexions Contemporary Ballet. They have brought their unique brand of contemporary dance to the world for over two decades.
Under Rhoden’s direction, Complexions has become a dance institution high in demand, as a center for innovation and cutting-edge programming. Rhoden’s choreography has been the lynchpin of the development of Complexions repertory. “Musicality, innovation, purpose, consistency, a brilliant use of stage space and the ability to tell a story—all these qualities make [Rhoden] one of today's elect choreographers” (Los Angeles Times). Since 1994, Rhoden has created over 80 ballets for Complexions, as well as for numerous other companies, including the Alvin Ailey American Dance Theater, Arizona Ballet, Aspen Santa Fe Ballet, BalletMet, Dance Theatre of Harlem, Colorado Ballet, Dayton Contemporary Dance Company, Joffrey Ballet, Miami City Ballet, New York City Ballet, North Carolina Dance Theater, Pennsylvania Ballet, PHILADANCO!, Mariinsky Ballet, Minneapolis Dance Theater, Phoenix Dance Company, Sacramento Ballet, Oakland Ballet, Pittsburgh Ballet Theater, The Washington Ballet, and Zenon Dance Company, The San Francisco Ballet, Atlanta Ballet, among others.
Rhoden has also directed and choreographed performances for shows across a range of media, including So You Think You Can Dance, E! Entertainment’s Tribute to Style, Amici, and Cirque Du Soleil’s Zumanity, and he appeared in the feature film One Last Dance. He has collaborated with, or created work for a number of celebrated artists, including Prince, Lenny Kravitz, Kelly Clarkson, ELEW, David Rozenblatt, Nicholas Payton, The Drifters, Paul Simon, Billy Strayhorn, Nina Simone, Marvin Gaye, U2, The Turtle Creek Chorus, and Patrick Swayze. Rhoden is a recipient of various honors and awards including The New York Foundation for the Arts Award, The Choo San Goh Award for Choreography, and The Ailey School’s Apex Award. Rhoden received an honorary doctorate degree from the Boston Conservatory in recognition of his extensive contributions to the field of dance.
DESMOND RICHARDSON (Co-Founder, Co-Artistic Director) was the first African-American principal dancer of American Ballet Theatre, and is hailed by The New York Times as one of the greatest dancers of his time. Nominated for a Tony Award for his role in the original Broadway cast of Fosse and deemed a standout in the Tony Award winning production After Midnight, Richardson is highly esteemed by the concert dance and Broadway community. Richardson has appeared on celebrated stages across the world, namely The Metropolitan Opera, The Kennedy Center, Paris Opera, The Bolshoi Theatre, The Mariinsky Theatre, The State Kremlin Palace, Teatro Massimo, and Teatro alla Scala. He has been a member and invited guest of prestigious companies including Alvin Ailey American Dance Theater, Frankfurt Ballet, Royal Swedish Opera Ballet, American Ballet Theatre, Washington Ballet, and San Francisco Ballet, to name a few. Richardson, a Young Arts Finalist and Presidential Scholar, has received numerous awards including the Dance Magazine Award, Capezio Award, Ailey Apex Award, L.A. Ovation Award, "Bessie" Award, YoungArts Alumni Award, and most recently the Roosevelt “Rosey” Thompson Award presented by the Presidential Scholars Foundation. In the spring of 2019, Richardson received an honorary doctorate degree from The University of North Carolina School of the Arts in recognition of his extensive contributions to the field of dance.
Richardson has been a celebrity guest performer and choreographer for productions across media such as the American Music Awards, the Academy Awards, City Center’s Encores! series, Italy’s Amici, and international franchises of So You Think You Can Dance. Richardson has been featured by famed artists such as Michael Jackson, Prince, Madonna, Elton John, and Aretha Franklin, and he appears in celebrated films such as the
Oscar-Award winning Chicago, Julie Taymor’s Across the Universe, and the recent independent film, Fall to Rise. He has worked with fashion icon, Tom Ford, Chic’s Nile Rodgers, and recently contributed to Grammy-Award winning Jill Scott’s video Back Together, which features dancers from Complexions. Richardson has also been a featured performer in various operas such as: Julie Taymor’s Grendel as Beowulf and as the Pharaoh in Teatro La Scala’s Moïse et Pharaone opposite Roberto Bolle conducted by famed Maestro Riccardo Muti. Internationally and domestically, he is a master teacher for dance programs such as the New York’s All Stars Project, YoungArts Miami, United Way, NYCDA, and multiple dance conventions. He served as co-creative director and choreographer with David Monn for the Park Avenue Armory Gala Masquerade. Richardson is currently a guest artist-in-residence at USC’s Glorya Kaufman School of Dance. Richardson can be seen in the current feature film High Strung Free Dance as the character Sammy.
NATIYA KEZEVADZE (Rehearsal Director) started her training in Classical Ballet at V. Chabukiani State Ballet School in Tbilisi, Georgia. At age thirteen, she was afforded the privilege of being accepted to the Vaganova Academy of Russian Ballet on full scholarship and moved to St-Petersburg, Russia. While at the Academy, Natiya performed on the celebrated Mariinsky Stage in ballets such as Swan Lake, La Bayadere, La Sylphide, Chopiniana, Nutcracker, Giselle, Legend of Love to name a few. Ms.Kezevadze graduated from professor T. Udalenkova receiving a BFA and was invited to join Boris Eifman Dance Company. Natiya was also a soloist with Ballet Classic, Saint Petersburg, Russia and moved to NYC in 2004 to further pursue her performing career. In NYC she continued her training with many notable dance masters including Milton Myers, Donald Byrd, Dwight Rhoden, Desmond Richardson, Nathan Trice, Elisa Monte, Joe Lanteri and numerous others. Natiya has appeared in New York International Festival’s “Icarus”, Ballet Builder’s “Passing Thru”, Eglevsky Ballet’s “The Nutcracker” and “Antigone”. She was also a featured model in a promotional video “Entropy” for Trienawear Dancewear. In 2005 Natiya joined Forces of Nature Dance Theater Company, under the direction of Abdel Salaam, where she continues to dance today. Additionally, Ms.Kezevadze became a member of Complexions Contemporary Ballet (CCB) in 2007 and had the amazing opportunity to tour worldwide performing widely acclaimed works by Dwight Rhoden, Desmond Richardson, Igal Perry, Jae Man Joo. In 2012 Natiya and her husband, Ilia, welcomed the birth of their daughter Vivi. Ms. Kezevadze left life on the road with Complexions to focus on motherhood. She then found time to embrace her love teaching both classical and contemporary ballet. Ms. Kezevadze has the pleasure of teaching for Complexions Summer and Winter Intensives, Pre-Professional Programs and teaching Company Classes, She has taught at the Joffrey Experience in NYC, Broadway Dance Center, and has acted as assistant choreographer with the New York City Ballet’s Choreographic Institute and for Dwight Rhoden’s original international production of the Great Gatsby Ballet. Today, Natiya is honored to continue performing with CCB as rehearsal director, teaching at Complexions Academy, as well as collaborating in various dance projects.
MICHAEL KORSCH (Resident Lighting Designer) is a lighting, projection and scenic designer based in Philadelphia, PA, where he earned his BA in theatre from Temple University. He has worked with numerous directors and choreographers, creating hundreds of visual designs for dance, theatre and other live performances throughout North and South America, Europe, Asia, and Australia, as well as New Zealand. Michael has been the resident lighting designer for Complexions Contemporary Ballet since 1998, and Ballet Arizona since 2001. In addition, Michael has created designs for Alvin Ailey American Dance Theater, American Ballet Theatre, Aspen Santa Fe Ballet, Backhausdance, BalletMet, Ballet Nice Méditerranée, Ballet West, BalletX, Carolina Ballet, Charlotte Ballet, Cincinnati Ballet, Cleveland Play House, Czech National Ballet, DanceBrazil, Dance Theatre of Harlem, Dayton Contemporary Dance Company, Disney Creative Entertainment, English National Ballet, FELA! The Concert, Hubbard Street Dance Chicago, MOMIX, Oakland Ballet, Philadelphia Ballet, Pittsburgh Ballet Theatre, Royal Danish Ballet, Sacramento Ballet, San Francisco Ballet, Staatsballett Berlin, and Washington Ballet among others.
CHRISTINE DARCH (Resident Costume Designer) has designed for Complexions Contemporary Ballet since 2006. She designs and builds costumes for choreographers Julia Adam, Val Caniparoli, Alison Cook Beatty, Rena Butler, Robert Dekkers, Jorma Elo, Nicolo Fonte, Adam Hougland, Jae Man Joo, James Kudelka, Gabrielle Lamb, Edward Liang, Matthew Neenan, David Parsons, Caili Quan, Amy Seiwert, Merián Soto, Septime Webre, and Yin Yue. Ms. Darch has been commissioned by Alvin Ailey, Astana Ballet, Atlanta Ballet, Ballet Arizona, Ballet Hawaii, Ballet Memphis, Charlotte Ballet, Cincinnati Ballet, Colorado Ballet, Dayton Ballet, Gibney Dance, Houston Ballet, Imagery, Israel Ballet, Kansas City Ballet, Madco, Marin Ballet, Milwaukee Ballet, Le Ballet Nice Méditerranée, Oregon Ballet Theatre, Pacific Northwest Ballet, Pennsylvania Ballet, Pittsburgh Ballet Theater, Post: ballet, San Francisco Ballet, Tulsa Ballet, Washington Ballet, and BalletX. She lives in East Northport, NY with acclaimed classical American ballet composer Matthew Pierce.
RON VODICKA (Stage Manager) Ron has served as a stage manager for the national tours of Hairspray, Saturday Night Fever, Man of La Mancha, and Evita. He spent 17 years as the Production Stage Manager for The Lion King on Broadway. Ron is also a Lighting Designer whose work has been seen at numerous theatres and opera houses around the world, including the Royal Albert Hall, The Lyric Opera of Chicago, The Old Globe Theatre in San Diego, San Diego Opera, San Francisco Opera, and New York City Opera. Ron is delighted to be working with Complexions Contemporary Ballet.
JOSEPH R. WALLS (General Manager). He has designed the lighting for numerous original works for choreographers who include Jessica Lang, Trey McIntyre, Ethan Stiefel, John Heginbotham, Annabelle Lopez Ochoa, Dana Genshaft, Andrea Miller, Yury Yanowsky, Ricardo Amarante, Gemma Bond, Yoshiaki Nakano, Helen Pickett, Nathrea Blake, Heath Gill, Gennadi Nedvigin and Dwight Rhoden. Internationally, Walls works with STEPS of Panama. In 2019, Walls designed the weeklong celebration with Pope Francis – The World Youth Day. Additional design collaborations include those with Pacific Northwest Ballet, Richmond Ballet, Cincinnati Ballet, Pittsburgh Ballet Theatre, Complexions Contemporary Ballet, Ballet West, Atlanta Ballet, Utah Metropolitan Ballet, staibdance, Inland Pacific Ballet, Chautauqua Dance, Ballet Spartanburg, The Charlotte Ballet, Roswell Dance Theatre and Orlando Ballet. www.jwallsdesign.com
As we prepare to welcome the community to experience the wonder at The Noorda, I’d like to thank you for making it all possible.
The performing arts inspire us to engage with others, discover new ways of thinking and feeling, and provides us with hope—in short, we believe the arts transform you. As an exciting hub for the arts in Utah County, we produce hundreds of performances by talented students, faculty, and world-renowned visiting artists. We invite everyone to join in connecting through the arts.
As part of UVU’s inaugural EverGREEN fundraising campaign, I invite you to make a gift to UVU’s Noorda Center for the Performing Arts today.
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ALBERTO ANDRADE
ALBERTO ANDRADE (Dance Artist) Alberto Andrade is From Queens, New york. Trained at Sugarloaf Ballet, the Colburn School, and the Milwaukee Ballet School. He has trained at a number of summer programs, the School of Pennsylvania Ballet, the school of American Ballet, the Harid Conservatory, the Ellison Ballet, and the Milwaukee Ballet School. He has previously danced with Milwaukee Ballet 2 and American Contemporary Ballet. This is Alberto’s second season with Complexions Contemporary Ballet.
BILGUDE ARIUNBOLD
BILGUDE ARIUNBOLD (Dance Artist)is originally from Mongolia. He joined the Mongolian Conservatory in 2005 and graduated in 2012. In 2009, while still a student at the Conservatory, he was invited to dance as a Soloist at the State Academic Theater of Opera and Dance, where he performed until 2015. Bilgude joined Wise Ballet Theatre in South Korea as Principal Dancer, where he danced from 2015 until 2021. He is looking forward to performing alongside the other Complexions Contemporary Ballet artists in his first season with the company.
CHRISTIAN BURSE
CHRISTIAN BURSE (Dance Artist) was born in Austin, Texas where she began her dance journey at the age of two years old. She completed her early dance training at RISE Dance Company where she received a diverse dance education. She continued her dance training at Booker T. Washington High School for the Performing and Visual Arts in Dallas, Texas, and Dance Industry Performing Arts Center. She attended multiple summer intensives with Complexions Contemporary Ballet and The Juilliard School. She has received awards from The National YoungArts Foundation and was named a 2020/2021 Texas Young Master. This is Christian’s second season with Complexions Contemporary Ballet.
JACOPO CALVO
JACOPO CALVO (Dance Artist) was born in Asti, Italy. He began his dance training at the age of eleven at his hometown school, Ritmo Danza. At eighteen, he moved to NYC where he attended The Ailey School on scholarship. He has worked with choreographers such as Marcus Jarrell Willis, Brice Mousset, Ray Mercer, Earl Mosley, Francesca Harper, and artist Nick Cave in The Let Go at the Park Avenue Armory. He has attended summer intensives with American Ballet Theater and COMPLEXIONS Contemporary Ballet, and RESET 2021 with Studio Wayne McGregor. Jacopo has performed with Alvin Ailey American Dance Theater for their 60th Anniversary Season inMemoria at New York City Center and for the Ailey Spirit Gala. This is Jacopo’s third season with Complexions Contemporary Ballet.
KOBE ATWOOD COURTNEY
KOBE ATWOOD COURTNEY (Dance Artist) was introduced to dance through Richmond Ballet’s Outreach program Minds in Motion. They trained with Richmond Ballet, under the encouragement of Jasmine Grace. They finished their training at San Francisco Ballet School. There, they were fortunate to perform pieces such as Balanchine’s “Stars and Stripes” and an excerpt from Jiri Kylian’s “Sarabande”.They then spent two years working with Orlando Ballet. They were able to learn from many different works such as “Lyric Pieces” by Jessica Lang and “Lambarena” by Val Caniparoli. They continued their career with Festival Ballet Providence, where they were able to dance leading roles in pieces choreographed by artists like Yury Yanowsky, Ja’ Malik, and Lia Cirio. They also recently started their choreographic career, setting work for Rhode Island Women’s Choreography Project. They look forward to the next chapter of their career, joining Complexions Contemporary Ballet for this season. @kobe.courtney
JASMINE HEART CRUZ
JASMINE HEART CRUZ (Dance Artist) Jasmine Heart Cruz was born and raised in San Francisco, California. She received her dance training at Westlake School for the Performing Arts where she focused in ballet, contemporary, jazz, and modern. She also attended programs such as Hubbard Street Dance Intensive, NYCDA Winter Dance Intensive, and English National Ballet School’s fall and summer courses. After graduating high school, she spent one year at the University of Southern California’s Glorya Kaufman School of Dance. In 2020, Jasmine was a Dance Spirit Magazine Cover Model Search Winner. She has received awards from competitions such as ADCIBC, YAGP, NYCDA, and most recently received the bronze medal at Tanzolymp International Dance Festival in Berlin. This is her second season with Complexions Contemporary Ballet.
ANGELO DE SERRA
ANGELO DE SERRA (Apprentice) grew up in Sassari, Sardinia, Italy. He began his professional training at the age of 14 with Sharon Podesva, his private ABT ballet teacher. He attended summer intensives with The Royal Ballet School, American Ballet Theatre, Academie Princesse Grace. At the age of 17 he was awarded Senior Man Classical Top Six of Youth America Grand Prix Italy and at the age of 18 he won the Expression International Dance Competition in Florence (first place Classical Soloist) and he received a scholarship to the Alvin Ailey School. He then moved to Cannes, France, graduated from PNSD-Rosella Hightower and joined Cannes Jeune Ballet. He then moved to New York City to attend The Ailey School under full scholarship and attended Complexions Academy intensive programs. This is Angelo’s second season with Complexions Contemporary Ballet.
VINCENZO DI PRIMO
VINCENZO DI PRIMO (Dance Artist) grew up in Adrano, Sicily, Italy and graduated from the Vienna State Opera Ballet Academy. Vincenzo performed with some of the world’s most reputable dance companies including The Royal Ballet of London and received several awards including Outstanding Artistry Prize and Contemporary Prize from the Prix de Lausanne, Grand Prix de Paris, Youth America Grand Prix New York, and the Beijing International Ballet Competition. In 2019, he was a contestant and finalist on the Italian TV show Amici. In 2021, Vincenzo was included inDance Magazine’s “25 to Watch." This is Vincenzo’s fifth season with Complexions Contemporary Ballet.
JILLIAN DAVIS
JILLIAN DAVIS (Dance Artist, Rehearsal Assistant) from Kutztown, PA and began her ballet training at the age of three. She studied with Risa Kaplowitz and Susan Jaffe at Princeton Dance and Theater Studio in Princeton, NJ. Jillian attended San Francisco Ballet, School of American Ballet, Pacific Northwest Ballet and LINES Ballet programs. She has been part of Dwight Rhoden world premieres including Stardust, Bach 25, Woke, Love Rocks, and a world-premiere solo, Elegy, Snatched Back from the Edges, and Endgame. She has also performed installation works by Desmond Richardson. Jillian was honored to perform an excerpt of Approximate Sonata and Slingerland Pas de Deux by William Forsthye. Along with being a dancer with COMPLEXIONS, Jillian is part of the core faculty for Complexions Dance Academy. Jillian joined Complexions Contemporary Ballet in 2014. @Jillange93
CHLOE DURYEA
CHLOE DURYEA (Dance Artist) received her early dance training near her hometown of Haslett, Michigan. At ages 16 and 17 she attended American Ballet Theatre’s Summer Intensive as a National Training Scholar on full scholarship. Chloe graduated from Indiana University’s Jacob School of Music with Highest Distinction, earning a Bachelor of Science in Ballet with an Outside Field of Kinesiology. At Indiana University, she was featured in works by Twyla Tharp, Dwight Rhoden, and as Princess Aurora in The Sleeping Beauty. Chloe has guested with the Ruth Page Civic Ballet and the Indianapolis School of Ballet, where she performed George Balanchine’s Nutcracker Pas de Deux. Chloe has danced professionally with Elements Contemporary Ballet and James Sewell Ballet. With James Sewell Ballet, Chloe performed at the Cannes Dance Festival. This is her first season with Complexions Contemporary Ballet.
JOE GONZÁLEZ
JOE GONZÁLEZ (Dance Artist) is from Boston Massachusetts, where he trained at Roxbury Center Performing Arts and the Boston Arts Academy. Joe has participated in Boston Conservatory's Summer Intensive, American Dance Festival, Bates Dance Festival and twice at Springboard Danse Montreal. He received his BFA from Boston Conservatory and premiered works in their choreography showcases and commissioned works for Bryn Mawr College, Rowan University and Boston Conservatory at Berklee WinterWorks. Joe toured nationally and internationally as performing artist with Philadanco, Anna Myer & Dancers, Prometheus Dance, #DBdanceProject and was Director of Philadanco's 3rd Company (D/3), the 2020/21 DanceVisions Artist in Resident at Performance Garage. He is currently founder and Artistic Director of Jo-Mé Dance and is on faculty at Temple University, Georgian Court University and Boston Arts Academy. This is Joe’s second season with Complexions Contemporary Ballet. @j.gonzalez.dance
ARISTOTLE LUNA
ARISTOTLE LUNA (Trainee) grew up on Orcas Island. He began dancing full-time at age 10 under the direction of Anthony the Dancer and soon became a member of The Island Inspiration All Stars. Studying and performing in ballet, contemporary, tap, hiphop, salsa, jazz and aerial acrobatics he danced in over 150 shows. At age 17 he moved to Sarasota, Florida to train with Ariel Serrano at the Sarasota Cuban Ballet School. Additional training has been with Homer Bryant of Chicago MultiCultural Dance Center. Aristotle is currently in his final year at NYU Tisch completing his BFA in dance and is an avid capoerista. He is thrilled to be in his second year as a trainee with Complexions Contemporary Ballet.
MARISSA MATTINGLY
MARISSA MATTINGLY (Dance Artist) grew up in Tampa, Florida where she was trained in several different styles of dance since the age of three. She started to take ballet and contemporary more seriously at the age of 13 when she began training at All American Dance Factory and Classical Ballet School under the direction of Terri Howell and Julio Montano. With this training she took part in many ballet competitions. She is a 4 time YAGP finalist, and performed in the UBC 2022 finals gala as a Legacy Award winner. She has been offered acceptances and scholarships to programs at Pittsburgh Ballet Theatre, Joffrey Chicago, BalletMet, Colorado Ballet Academy, Kansas City Ballet, Oklahoma City Ballet, Texas Ballet Theatre, Philadelphia Ballet, American Ballet Theatre, Atlanta Ballet, and Houston Ballet Academy. She attended her first Complexions Contemporary Ballet Summer Intensive in 2021, and was invited to take part in their two week Trainee Program in the spring of 2022. This is her second season with the company.
LAURA PERICH VILLASMIL
LAURA PERICH VILLASMIL (Apprentice) was born in Maracaibo, Venezuela where she began training at the age of 3. She then moved to Houston, Texas where she continued her training with Catriona Steel at Allegro West Academy of Dance. While in Houston, she completed The Royal Academy of Dance Ballet exams and received Distinctions all throughout her training. After graduating, she joined Texas Ballet Theater’s Studio Training Company under the direction of Kathy Warakomsky-Li. In 2021, Laura joined Ballet Hispánico’s Pa’Lante Scholars Program as part of the inaugural cohort where she had the opportunity to be a guest artist with the main company for Annabelle Lopez-Ochoa’s “Doña-Perón”. Laura also had the privilege to attend the Complexions Contemporary Ballet Trainee Program in the summer of 2023. This is Laura’s first season with Complexions Contemporary Ballet.
MIGUEL SOLANO (Dance Artist, Rehearsal Assistant) is from Medellin, Colombia. He started dancing at age seventeen at the District University of Bogotá and continued his training at BalletStudio Bogotá under the direction of Patricia Niño. In 2013, he moved to NYC to complete his studies at the Gelsey Kirkland Academy of Classical Ballet on full scholarship, performing with Kirkland’s studio company. He has participated in summer programs including Hubbard Street Dance, Oklahoma City Ballet, and Batsheva Dance Company in Israel. Miguel has worked with Awaken Dance Theater, Thomas/Ortiz Dance, RudduR Dance and Connecticut Ballet. He has worked with choreographers Earl Mosley, Christopher Rudd, Francesca Harper, Darrell Moultrie, Larry Keigwin, Nadege Hottier, Larissa Calero, Eve Chan, and Ted Thomas. This is Miguel’s fifth season with Complexions Contemporary Ballet. @miguellsolano
LUCY STEWART (Dance Artist) grew up right outside of Denver, Colorado, dancing at a small studio and at Colorado Ballet. She spent her summers training with American Ballet Theatre, The Joffrey Ballet, Complexions Contemporary Ballet, and Colorado Ballet. Lucy has studied the last two years at The Juilliard School in the dance division. She has had the opportunity to study with various leading artists in the dance world, including Ohad Naharin, Francesca Harper, Tiler Peck, Rena Butler, and James Whiteside, as well as the opportunity to perform Set and Reset by Trisha Brown. For the last several years, Lucy has studied regularly with John Gardner and Amanda McKerrow from ABT. This is Lucy’s second season with Complexions Contemporary Ballet.
CANDY TONG (Dance Artist) was born in San Francisco, California. She trained at San Francisco Ballet School under full scholarship and is a BFA graduate in Dance Performance from University of California, Irvine -- completing the program in just 2.5 years. Candy received a diploma in Dance from the English National Ballet School, where she performed and toured with the company. Alongside her dance career, Candy is a signed model with Stetts Model Management and has been in several global campaigns such as Reebok. Her work has been showcased at the Galleries Lafayette in Paris, the Huffington Post, and on Nikon Europe's ad campaigns. As an entrepreneur, Candy is a fashion designer specifically for dancewear. This is Candy’s fifth season with Complexions Contemporary Ballet.
MANUEL VACCARO (Dance Artist) is twenty years old and from Italy. Born in Modica, a small Sicilian city. His passion for dance has lived since he learned how to walk. He began studying dance at six years old at a private dance school in Modica. At the age of ten, Manuel was admitted to the dance school of Rome Opera House where he studied for four years. In September 2018, he started studying dance at the Rosella Hightower dance school in France. After sending a video audition to the Bolshoi Ballet Academy in Moscow, Russia in 2019, he was admitted and studied for three years. In June 2022, Manuel received his diploma in professional dance and ballet teaching. This is Manuel’s first season with Complexions Contemporary Ballet.
APRIL WATSON (Dance Artist) began her dance training at age eight at University of North Carolina School of the Arts Preparatory Program. In 2016, April graduated from University of North Carolina School of the Arts High School Program. She spent her summers with School of American Ballet, Houston Ballet, Debbie Allen Dance Academy, Charlotte Ballet, Indiana Ballet Conservatory, Dance Theatre of Harlem, and Joffrey of Chicago all on scholarship. After graduating from UNCSA, she spent two years in Los Angeles, CA studying under the direction of Debbie Allen as an Artist in Residence on scholarship. April joined the Complexions Contemporary Ballet in 2019 as an apprentice. This is her third season with Complexions Contemporary Ballet as a full company member. @wca__
COMPLEXIONS CONTEMPORARY BALLET
BOARD OF DIRECTORS
Everick Brown, Dwight Rhoden, Desmond Richardson, Carl Nelson, Sarah Picot, Felicia Swoope
NATIONAL ADVISORY BOARD
Debbie Allen, Angela Bassett, Wren T. Brown, Elizabeth Roxas Dobrish, Susan Jaffe, Carmen de Lavallade, Lisa Niemi Swayze, Courtney B. Vance, Pauletta Washington
STAFF
Interim Executive Director: Muadi B. Dibinga
General Manager: Joseph R. Walls
Academy Manager: Monica Montaño
Production Associate: Jillian Davis
Press: Lisa Labrado
Photographers: Steven Trumon Gray, Jae Man Joo, Rachel Neville, Steve Vaccariello
Company Accompanists: Adrià Barbosa, Ai Isshiki, Ray Leslee, Sorin Frisan Videographer:
Jacob Hiss
REPRESENTATION
MARGARET SELBY
SELBY/ARTISTS MGMT
262 West 38th Street, Suite 1701
New York, NY 10018
Office: 212-382-3260 | [email protected]
COMPLEXIONS CONTEMPORARY BALLET
244 Fifth Avenue, Suite 2875
New York, NY 10001
www.complexionsdance.org
Utah Valley University acknowledges that we gather on land sacred to all Indigenous people who came before us in this vast crossroads region. The University is committed to working in partnership—as enacted through education and community activities—with Utah’s Native Nations comprising: the San Juan Southern Paiute, Paiute Indian Tribe of Utah, Uintah & Ouray Reservation of the Northern Ute, Skull Valley Goshute, Confederated Tribes of the Goshute Reservation, Northwestern Band of Shoshone Nation, Hopi Tribe, Navajo Nation, Ute Mountain Ute-White Mesa Community, and urban Indian communities. We recognize these Native Nations and their continued connections with traditional homelands, mountains, rivers, and lakes as well as their sovereign relationships with state and federal governments. We honor their collective memory and continued physical and spiritual presence. We revere their resilience and example in preserving their connections to the Creator and to all their relations, now and in the future.
With this statement comes responsibility and accountability. We resolve to follow
up with actionable items to make the School of the Arts at UVU and The Noorda Center
for the Performing Arts an inclusive, equitable, and just space for all. There is
much work to be done, and we are committed to putting these words into practice.
Artwork by Shane Walking Eagle (Sisseton Dakota).
Our mission is to produce and present artistic excellence, which would not be possible without the generous support of our sponsors. We thank them and express our deep gratitude to all patrons, supporters, and friends of The Noorda.
The arts possess the unparalleled power to inspire, educate, liberate, and transform. They elevate moments, mark milestones, soften edges, and generate profound meaning. Experience the beauty and wonder of the arts with us this season at The Noorda and begin at once to live!
Courtney R. Davis, J.D., M.A.
Dean, School of the Arts
Plan B Theatre Presents: Bitter Lemon
A (SORT OF) WORLD PREMIERE BY MELISSA LEILANI LARSON
APRIL 11-28, 2024
IN THE STUDIO THEATRE
Click Here for Tickets