Wind Symphony

 

UVU Music Presents

Wind Symphony in Concert

Concert Hall

October 5, 2022 | 7:00 p.m.

 
 

Program

Midway March

John Williams (b. 1932)

Divertimento for Band, Op.42

Vincent Persichetti (1915–1987)

I. Prologue
II. Song
III. Dance
IV. Burlesque

V. March

Themes from "Green Bushes"

Percy Aldridge Grainge (1882–1961) arr. Larry Daehn

On a Hymnsong of Philip Bliss

David Holsinger (b. 1945)

Symphony No. 1, The Lord of the Rings "Gandalf" The Wizard

Johan de Meij (b. 1953)

Magnolia Star

Steve Danyew (b. 1983)

 

UVU Wind Symphony

Kirt Saville

conductor

Flute

Caryl Klemann*
Ashtyn Keith
Mickayla Hunter
Jenifer Swanson
Mitchell Woodruff

Oboe

Emily Adams*

Bassoon

Andrew Apgood*
Savannah West

Clarinet

Bob Gabbitas*
Charlie Kaczmarek
Michell Hansen
Avery Harris
Amy Gabbitas

Bass Clarinet

Connor Duersch

Saxophone

David Kland*, alto
Logan Stanford, alto
Madelyn Hunsaker, alto
Kyler Wilcox, tenor
Ben Cragun, baritone

Horn

Rachel Colton*
Zach Stubs
Violette Mori

trumpet

Kate Gabbitas*
Bradly Olson
Sam Jesse
Ethan Jacobsen
Callie Stay

Trombone

Adam Bean*
Nathan Gehring
Moss Beacom

Euphonium

Chris Desio*
Emilio Schouten

Tuba

Shandon Lewis

Percussion

Preston Schollenberger*
Taggart Bradbury II
Ricky Wade
James Hatch
Abram Quist
Sofi Child
Jared Barnum

PIANO

Jiayi Lin

*Section Leader

 

 

Program Notes

Midway March

In the classic World War II motion picture Midway (1976), John Williams created one of the most riveting and powerful marches ever heard on the silver screen. This authentic edition brings all the energy and excitement of this composition to the wind band format.

 

Divertimento for Band, Op. 42

The Divertimento is one of Persichetti’s lightest and most entertaining works. It was written in a log cabin schoolhouse in Kansas in 1949 and premiered in New York City with the composer conducting in 1950. In a June 1980 letter to Frederick Fennell, founder of the famed Eastman Wind Ensemble, Persichetti explained that family friends had given him the cabin one summer to write a new work for full orchestra. He explained that as he wrote the brasses tossing the woodwinds about while the timpani was commenting here and there, something strange was happening. He began to realize that the strings were NEVER going to come in. So thus was created the composer's first work for band!

The six short movements demonstrate rhythmic and contrapuntal savoir-faire blended neatly with tongue-in-cheek humor and lyrical nostalgia. The work is still one of Persichetti’s most popular compositions.

- Program Note from Lee University Wind Ensemble concert program, 11 October 2016

 

Themes from "Green Bushes"

Among country-side folksongs in England, Green Bushes  was one of the best known of folksongs -- and well it deserved to be, with its raciness, its fresh grace, its manly clear-cut lines. Green Bushes strikes me as being a typical dance, a type of song come down to us from the time when sung melodies, rather than instrumental music, held countryside dancers together. It seems to breathe that lovely passion for the dance that swept like a fire over Europe in the Middle Ages -- seems brimful of all the youthful joy and tender romance that so naturally seek an outlet in dancing.

- Percy Grainger

 

On A Hymnsong Of Philip Bliss

On A Hymnsong Of Philip Bliss is a radical departure of style of this composer. The frantic tempos, the ebullient rhythms we associate with Holsinger are replaced with a restful, gentle, and reflective composition based on the 1876 Philip Bliss-Horatio Spafford hymn, It Is Well with My Soul. Written to honor the retiring principal of Shady Grove Christian Academy, On A Hymnsong Of Philip Blis' was presented as a gift from the SGCA Concert Band to Rev. Steve Edel in May of 1989.

 

Symphony No. 1 The Lord of the Rings, "Gandalf (The Wizard)"

The first movement is a musical portrait of the wizard Gandalf, one of the principal characters of the trilogy. His wise and noble personality is expressed by a stately motif which is used in a different form in movements IV and V. The sudden opening of the Allegro vivace is indicative of the unpredictability of the grey wizard, followed by a wild ride on his beautiful horse, Shadowfax.

- Program Note by composer

 

Magnolia Star

Magnolia Star was a train that ran from New Orleans to Chicago with the famous Panama Limited in the mid-20th century. This work evokes train travel with driving rhythms and train-like sonorities, and also uses the blues scale.

- Program Note from publisher

 

Coming Soon
The Noorda

School of the Arts
Events

 

Land Acknowledgment

Utah Valley University acknowledges that we gather on land sacred to all Indigenous people who came before us in this vast crossroads region. The University is committed to working in partnership—as enacted through education and community activities—with Utah’s Native Nations comprising: the San Juan Southern Paiute, Paiute Indian Tribe of Utah, Uintah & Ouray Reservation of the Northern Ute, Skull Valley Goshute, Confederated Tribes of the Goshute Reservation, Northwestern Band of Shoshone Nation, Hopi Tribe, Navajo Nation, Ute Mountain Ute-White Mesa Community, and urban Indian communities. We recognize these Native Nations and their continued connections with traditional homelands, mountains, rivers, and lakes as well as their sovereign relationships with state and federal governments. We honor their collective memory and continued physical and spiritual presence. We revere their resilience and example in preserving their connections to the Creator and to all their relations, now and in the future.

With this statement comes responsibility and accountability. We resolve to follow up with actionable items to make the School of the Arts at UVU and The Noorda Center for the Performing Arts an inclusive, equitable, and just space for all. There is much work to be done, and we are committed to putting these words into practice.

DEPARTMENT OF MUSIC

Department Chair
JEFFREY O'FLYNN

Administrative Assistant
CHRIS GINES

 

Chamber Choir/Deep Green
REED CRIDDLE

Emerald Singers
CHERILYN WORTHEN

Concert Choir
DEMAREE BROWN

Opera Coordinator
ISAAC HURTADO

Voice Coordinator
MELISSA HEATH

 

Private Voice Instructors
AUBREY ADAMS-MACMILLAN
CECILY BILLS
ADRIENNE BRAUN
DEMAREE BROWN
ANTHONY BUCK
REED CRIDDLE
MELISSA HEATH
CHRISTOPHER HOLMES
ISAAC HURTADO
CONSTANCE JENSEN
SERENA KANIG BENISH
EMILY MERRELL
JOSEPH MOORE