mixtape

 

UVU Music Presents

mixtape
Live

Concert Hall

March 25, 2024
7:00 PM

 

 

contents
(click to navigate)


About the Performance

Program

Program Notes

Performer Biographies

Land Acknowledgement

Dean's Message

Coming Soon at The Noorda

 

 
 
 
 
 

about the performance


An evening for music lovers, UVU Symphony Orchestra's annual Concerto Night features some of the best UVU student performers as soloists playing some of the best classical music ever written. The Symphony's mission is to provide experiences that will enrich the musical artistry of students and enliven the musical community on and off campus. Students from all performance areas come together to meet that goal.

program


 

 
Trumpet Concerto in E-flat major
Joseph Haydn (1732 – 1809)
 
I. Allegro
II. Andante
III. Allegro
 

Ryan Nielsen, trumpet 

PROGRAM NOTES

 

  • The Fo Guang Shan Institute for Humanistic Buddhism (Kaohsiung, Taiwan) invited the composer to write this choral recitation while he was living in Taiwanese Buddhist monasteries researching chant for five months as a U.S. Fulbright Senior Scholar. This dramatization is inspired by the sound of waves (海潮音) inherent in Chinese Buddhist chant liturgy. The final accelerando and subsequent stillness is a core feature of evening chanting at austere Dharma Drum Mountain monastery, located in the hills above the northernmost town on the island of Taiwan. It is as if the silence yells to the heart: “Be mindful!”
 
 
 
Symphony no. 4, “Italian”
 Felix Mendelssohn (1809 – 1847)
 

I. Allegro vivace
II. Andante con moto
III. Con moto moderato
IV. Saltarello: Presto

TRANSLATION


Adoration to the universal Buddhas
[and their] unimpeded faith!
Om! In the sky of emptiness,
Destroy, destroy [all obstacles]!

The holy mind! The holy mind!
Flame, flame, light, brilliant light,
Stay, stay, shatter, shatter, burst, burst,
Disperse calamities [and bring] fortune. Swaha!

 

 
 

 

Program Notes


marylou

 

  • Mary Lou Williams’ compositional voice spanned from boogie-woogie to swinging big band to bebop. She wrote many tunes for Benny Goodman and Duke Ellington, and mentored Charlie Parker, Dizzy Gillespie, and Thelonious Monk.
  • A midlife conversion to Catholicism led Williams to boldly create a new genre: sacred jazz. In 1964, the same year Congress passed the Civil Rights Act, Williams released Anima Christi on her album “Black Christ of the Andes.” The album was themed on Peruvian St. Martín de Porres, who was canonized by Pope John XXIII in 1962 and is known as the patron saint of mixed-race people and all those seeking racial harmony. Inspired by Williams’ album, Duke Ellington subsequently composed his three “Sacred Concerts” in 1965, 1968, and 1973.
  • Williams describes Anima Christi as a “funky gospel solo” over a “swung jazz waltz.” The lyrics are adapted by the composer from a 14th-century prayer.

performer biographies


cheung

cheung chau

 

Cheung Chau is Director of Orchestras at Utah Valley University, Music Director of Sinfonietta Polonia in Poznań, Poland, and Principal Guest Conductor of the Changsha Symphony in China. He served as Music Director of the Bloomington Symphony, as principal guest conductor of the Lublin Philharmonic Orchestra in Lublin, Poland, and held director of orchestra positions at Haverford College and University of Connecticut.

An American Prize finalist in Conducting in 2017 and 2018, Chau is a National Arts Associate in Conducting with Sigma Alpha Iota. In 2017, his world premiere recording of Snow Queen with Sinfonietta Polonia with leading Polish label Acte Prealable received a Global Music Awards Silver Medal. He was assistant conductor of the Hong Hong Philharmonic under Edo de Waart, and guest conducted among others, the Moscow Philharmonic, the China National Symphony, and the Royal Stockholm Philharmonic Orchestra.

As cellist Chau performed as soloist with the Hong Kong Philharmonic and the Changsha Symphony in China, Sinfonietta Polonia in Poland, the Vidin Sinfonietta in Bulgaria, the UVU Symphony and the Gettysburg Chamber Orchestra in the USA, amongst others. Chau performed as soloist and chamber musician in the USA, Hong Kong, Macao, China, Germany, Poland, Italy, Lithuania, Sweden and Finland, performing at Merkin Hall and Yale Club in New York City, Jordan Hall in Boston, Fine Arts Recital Hall in Ambassador College in Pasadena, Abravanel Hall in Salt Lake City and the Beijing Concert Hall and Changsha Concert Hall in China. 

 

uvu symphony orchestra

 

Cheung Chau

Music Director & Conductor

First violin

Rebecca Dalgleish
Anna Loveridge
Sahara Parker
Juliet Dickerson
Spencer Lyle
Dana Bentley

SECOND Violin

Jane Pinnock
Rosemary Palmer
Amber Griffin
Brynn Allen
Alyssa Larsen

Violas

Sophie Blair
Ashlyn McNeely
Clyde Ellis

Cellos

Noah Guzman
Elise Johnson
Ashtyn Tumblin
Jacob Egbert
Hailey Hannig
Samual Pena
Lorraine Casas

Bass

Seth Dalgleish
Adam Perry
Max Hansen
Field Behrens

Flute

Mickayla Hunter
Ashtyn Keith

Oboe

Emily Adams

Clarinet

Bob Gabbitas
Jeff O'Flynn

Bassoon

Andrew Apgood
Cailin McGarry

Horn

Rachel Colton
Joseph Ducos

Trumpet
Nora Campbell

Jaden Jones

Percussion

Jared Barnum

 

 

 

 

 

land acknowledgment


land

Utah Valley University acknowledges that we gather on land sacred to all Indigenous people who came before us in this vast crossroads region. The University is committed to working in partnership—as enacted through education and community activities—with Utah’s Native Nations comprising: the San Juan Southern Paiute, Paiute Indian Tribe of Utah, Uintah & Ouray Reservation of the Northern Ute, Skull Valley Goshute, Confederated Tribes of the Goshute Reservation, Northwestern Band of Shoshone Nation, Hopi Tribe, Navajo Nation, Ute Mountain Ute-White Mesa Community, and urban Indian communities. We recognize these Native Nations and their continued connections with traditional homelands, mountains, rivers, and lakes as well as their sovereign relationships with state and federal governments. We honor their collective memory and continued physical and spiritual presence. We revere their resilience and example in preserving their connections to the Creator and to all their relations, now and in the future.

With this statement comes responsibility and accountability. We resolve to follow up with actionable items to make the School of the Arts at UVU and The Noorda Center for the Performing Arts an inclusive, equitable, and just space for all. There is much work to be done, and we are committed to putting these words into practice.

Artwork by Shane Walking Eagle (Sisseton Dakota).

artists

Dean's Message

Courtney Davis

Our mission is to produce and present artistic excellence, which would not be possible without the generous support of our sponsors. We thank them and express our deep gratitude to all patrons, supporters, and friends of The Noorda.

The arts possess the unparalleled power to inspire, educate, liberate, and transform. They elevate moments, mark milestones, soften edges, and generate profound meaning. Experience the beauty and wonder of the arts with us this season at The Noorda and begin at once to live!

Courtney R. Davis, J.D., M.A.
Dean, School of the Arts

Coming Soon
The Noorda

School of the Arts
Events

DEPARTMENT OF MUSIC

Department Chair
JEFFREY O'FLYNN

Administrative Assistant
CHRIS GINES

 

Chamber Choir/Deep Green
REED CRIDDLE

Emerald Singers
CHERILYN WORTHEN

Concert Choir
DEMAREE BROWN

Opera Coordinator
ISAAC HURTADO

Voice Coordinator
MELISSA HEATH

 

Private Voice Instructors
AUBREY ADAMS-MACMILLAN
CECILY BILLS
ADRIENNE BRAUN
DEMAREE BROWN
ANTHONY BUCK
REED CRIDDLE
MELISSA HEATH
CHRISTOPHER HOLMES
ISAAC HURTADO
CONSTANCE JENSEN
SERENA KANIG BENISH
EMILY MERRELL
JOSEPH MOORE