Theatre

UVU theatre department Presents

lucky stiff

Bastian Theatre

April 14-22, 2023

 

Book by Lynn Ahrens
Music by Stephen Flaherty
Lyrics by Lynn Ahrens

Directed by Julie Heaton

 
Music Director

Amanda Crabb

Choreographer

Jennifer Delac

Music Conductor

Mark Johnson

Stage Manager

Nicole Smith

Scenic Design

Milinda Weeks

Costume Design

Madison Halverstadt

Lighting Design

Collin Schmierer

Sound Design

Devon Parikh

Makeup, Hair, & Wig Design

Lillian Hanks

Prop Design

Cortnee Quist

Dialect Coach

Steven Rimke

Dramaturg

Anne Post Fife

Assistant Choreographer

Dez Walker

Assistant Choreographer

Erica Schoebinger

Assistant Costume Design

Lexi Goldsberry

Assistant Makeup & Hair

Asriel Jensen

 
 

Cast


Harry Witherspoon

KC Johnson

Annabel Glick Keely Conrad
Rita LaPorta Kalena Nielson
Vinnie DiRuzzio Carson Lawrence
Luigi Gaudi Seven Harrison
Dominique Du Monaco Bronwyn Andreoli
Emcee Casey Copier
Dead Body (Anthony Hendon) Skylar Boyd
Viscious Punk / Ensemble Alessandro Falabella
Nun / Ensemble Alex Russon
Bell Hop / Ensemble Braden Clement
Drunk Maid / Ensemble Elise Jones
Landlady / Ensemble

Jocelyn Kleinman

Lorry Driver / Ensemble

Preston Ochsenhirt

Spinster / Roulette Wheel  / Ensemble

Sophie Mercer

Nurse / Ensemble

Yulissa Torres

Swing

Autumn Bickmore

Swing Grace Bowman
 
 

Production Run Crew


Assistant Stage Manager

Ethan Schramm

Production Assistant

Ele Rose

Stage Hands

Julia Taylor
Emma Tolman

Props Master

Braxton Brewster 

Wardrobe Supervisor

Kaely Hope

Dressers

Haylee Buss
Fiorella Pulido Ravello

Light Board Operator

Brooke Hall

Video Operator

Drew Cannon

Followspot Operators

Lexi Goldsberry
Holly Snow

Sound Board Operator

Collin Larsen

Audio A2

Joshua Martin

Hair & Makeup Supervisor 

David Van Frankenhuijsen

 

 

Band


Piano / Conductor

Mark Johnson
Sadie Holdaway (April 20)

Synthesizer

Sadie Holdaway
Juliet Gamero-Preston (April 14 & 20)

Bass

Jens Watts

Drums / Percussion

Jefferson Montoya

 

Faculty Advisors


Costume & Makeup Design Mentor

La Beene

Lightning, Scenic, Sound, & Stage Manager Mentor

Graham Whipple

Dramaturgy Mentor

Janine Sobeck Knighton





A Letter from the Dramaturg


Most people watch musicals to get swept up in the music – so what happens when you can’t hear it? 

I cannot hear.  And yet, I’m dramaturging a musical that includes music and singing that requires you to listen.  However, I can see music.  I love putting my hands on the piano to feel the rhythmic tones.  I love holding a Bluetooth speaker or putting my leg next to the radio speaker to feel the bass.  By doing such, I always felt vibrations and could identify the tunes of the music.  I can also feel the characters’ stories by watching them move with the music.  Sitting on a chair, watching my American Sign Language interpreters performing their songs, I understand and am entertained in different and wonderful ways. 

As a Deaf dramaturg, I can also access this musical by researching and exploring the story behind Lucky Stiff.  The production team relied on me to ensure they were doing the story with the right kind of dancing styles, character persona and even props of certain eras.  A true 1980s and 1990s kid growing up, I enjoyed watching the directing team working with the cast of Lucky Stiff and seeing part of my own past reflected on stage. 

I invite you to expand your own experience of this production beyond the music.  Use your eyes to observe the gorgeous set, the oldie television, even the cast’s outfits!  Feel the beats within your bodies.  See the music come alive on stage.   You will feel like you have millions of things that you can find.  I became rich while researching the musical and farce of the script! 

Enjoy the show! 

Anne Post Fife, Deaf Dramaturg 


history of lucky stiff


Lucky Stiff is based on the 1983 novel ‘The Man Who Broke the Bank at Monte Carlo’ by Michael Butterworth, a British writer who also did comic strips.  He was well-known for the United Kingdom’s adventure strips ‘The Rise and Fall of the Trigan Empire’ in the British Weeklies Ranger. He wrote the novel based on the history of the bank being broken at Monte Carlo.  Since Monte Carlo Casino opened in 1863, the bank has been broken into numerous times.  The expression “break the bank” has been around since 1600, to which the gambler wins more money than the house (bank) could afford to pay.  In fact, it became the coined expression in around 1873 when a roulette playing Englishman named Joseph Jagger won $350,000 (the day’s huge sum) at Monte Carlo Casino.   

Lynn Ahrens (Ragtime & Once on the Island) & Stephen Flaherty (Ragtime Once on the Island, also Anastasia) teamed up to create the musical Lucky Stiff.  Inspired by the novel by Mr. Butterworth, they wanted to create a world that was witty, mysterious, an ‘uppity’ happening, and a farce.  They included characters that function as a quasi-Greek chorus (a singing chorus), who reveal the crazy plot twists.  Through them, we know it is okay to be confused and excited.  They also urge you to remember there are others thinking of you and wanting you to succeed in life.   

As you watch, I encourage you to look for those who feel familiar.  See yourself and your loved ones in these characters, and embrace your connections with them, whether they may be crazy or lost.  

 

More information on UVU Department of Theatrical Arts

 



artists
 

Dean's Message

Courtney Davis

Our mission is to produce and present artistic excellence, which would not be possible without the generous support of our sponsors. We thank them and express our deep gratitude to all patrons, supporters, and friends of The Noorda.

The arts possess the unparalleled power to inspire, educate, liberate, and transform. They elevate moments, mark milestones, soften edges, and generate profound meaning. Experience the beauty and wonder of the arts with us this season at The Noorda and begin at once to live!

Courtney R. Davis, J.D., M.A.
Dean, School of the Arts

 

 

land

Land Acknowledgment

Utah Valley University acknowledges that we gather on land sacred to all Indigenous people who came before us in this vast crossroads region. The University is committed to working in partnership—as enacted through education and community activities—with Utah’s Native Nations comprising: the San Juan Southern Paiute, Paiute Indian Tribe of Utah, Uintah & Ouray Reservation of the Northern Ute, Skull Valley Goshute, Confederated Tribes of the Goshute Reservation, Northwestern Band of Shoshone Nation, Hopi Tribe, Navajo Nation, Ute Mountain Ute-White Mesa Community, and urban Indian communities. We recognize these Native Nations and their continued connections with traditional homelands, mountains, rivers, and lakes as well as their sovereign relationships with state and federal governments. We honor their collective memory and continued physical and spiritual presence. We revere their resilience and example in preserving their connections to the Creator and to all their relations, now and in the future.

With this statement comes responsibility and accountability. We resolve to follow up with actionable items to make the School of the Arts at UVU and The Noorda Center for the Performing Arts an inclusive, equitable, and just space for all. There is much work to be done, and we are committed to putting these words into practice.

Artwork by Shane Walking Eagle (Sisseton Dakota).

 

Coming Soon
The Noorda

School of the Arts
Events

THE DEPARTMENT OF THEATRE

Chair, Associate Professor
LA BEENE, MFA

Associate Chair, Associate Professor
JULIE HEATON, MFA

Administrative Assistant
CURTIS CLUFF, MFA

Associate Professor
AMANDA CRABB, MM

Assistant Professor
JENNIFER DELAC, MFA

Lecturer
ELIZABETH GOLDEN, MFA

Lecturer
M. CHASE GRANT, MFA


Professor
LISA HALL, PHD

Professor
LAURIE HARROP-PURSER, MFA

Lecturer
SHANNON HUTCHINS, MFA

Associate Professor
JANINE SOBECK KNIGHTON, MFA


Assistant Professor
RICHARD LORIG, MFA

Professor

JOHN NEWMAN, PHD

Assistant Professor
STEVEN RIMKE, MFA


Lecturer
GRAHAM WHIPPLE, MFA