April 14-22, 2023
Book by Lynn Ahrens
Music by Stephen Flaherty
Lyrics by Lynn Ahrens
Directed by Julie Heaton
Amanda Crabb
Jennifer Delac
Mark Johnson
Nicole Smith
Milinda Weeks
Madison Halverstadt
Collin Schmierer
Devon Parikh
Lillian Hanks
Cortnee Quist
Steven Rimke
Anne Post Fife
Dez Walker
Erica Schoebinger
Lexi Goldsberry
Asriel Jensen
Harry Witherspoon |
KC Johnson |
Annabel Glick | Keely Conrad |
Rita LaPorta | Kalena Nielson |
Vinnie DiRuzzio | Carson Lawrence |
Luigi Gaudi | Seven Harrison |
Dominique Du Monaco | Bronwyn Andreoli |
Emcee | Casey Copier |
Dead Body (Anthony Hendon) | Skylar Boyd |
Viscious Punk / Ensemble | Alessandro Falabella |
Nun / Ensemble | Alex Russon |
Bell Hop / Ensemble | Braden Clement |
Drunk Maid / Ensemble | Elise Jones |
Landlady / Ensemble |
Jocelyn Kleinman |
Lorry Driver / Ensemble |
Preston Ochsenhirt |
Spinster / Roulette Wheel / Ensemble |
Sophie Mercer |
Nurse / Ensemble |
Yulissa Torres |
Swing |
Autumn Bickmore |
Swing | Grace Bowman |
Assistant Stage Manager
Ethan Schramm
Production Assistant
Ele Rose
Stage Hands
Julia Taylor
Emma Tolman
Props Master
Braxton Brewster
Wardrobe Supervisor
Kaely Hope
Dressers
Haylee Buss
Fiorella Pulido Ravello
Light Board Operator
Brooke Hall
Video Operator
Drew Cannon
Followspot Operators
Lexi Goldsberry
Holly Snow
Sound Board Operator
Collin Larsen
Audio A2
Joshua Martin
Hair & Makeup Supervisor
David Van Frankenhuijsen
Piano / Conductor
Mark Johnson
Sadie Holdaway (April 20)
Synthesizer
Sadie Holdaway
Juliet Gamero-Preston (April 14 & 20)
Bass
Jens Watts
Drums / Percussion
Jefferson Montoya
Costume & Makeup Design Mentor
La Beene
Lightning, Scenic, Sound, & Stage Manager Mentor
Graham Whipple
Dramaturgy Mentor
Janine Sobeck Knighton
Most people watch musicals to get swept up in the music – so what happens when you can’t hear it?
I cannot hear. And yet, I’m dramaturging a musical that includes music and singing that requires you to listen. However, I can see music. I love putting my hands on the piano to feel the rhythmic tones. I love holding a Bluetooth speaker or putting my leg next to the radio speaker to feel the bass. By doing such, I always felt vibrations and could identify the tunes of the music. I can also feel the characters’ stories by watching them move with the music. Sitting on a chair, watching my American Sign Language interpreters performing their songs, I understand and am entertained in different and wonderful ways.
As a Deaf dramaturg, I can also access this musical by researching and exploring the story behind Lucky Stiff. The production team relied on me to ensure they were doing the story with the right kind of dancing styles, character persona and even props of certain eras. A true 1980s and 1990s kid growing up, I enjoyed watching the directing team working with the cast of Lucky Stiff and seeing part of my own past reflected on stage.
I invite you to expand your own experience of this production beyond the music. Use your eyes to observe the gorgeous set, the oldie television, even the cast’s outfits! Feel the beats within your bodies. See the music come alive on stage. You will feel like you have millions of things that you can find. I became rich while researching the musical and farce of the script!
Enjoy the show!
Anne Post Fife, Deaf Dramaturg
Lucky Stiff is based on the 1983 novel ‘The Man Who Broke the Bank at Monte Carlo’ by Michael Butterworth, a British writer who also did comic strips. He was well-known for the United Kingdom’s adventure strips ‘The Rise and Fall of the Trigan Empire’ in the British Weeklies Ranger. He wrote the novel based on the history of the bank being broken at Monte Carlo. Since Monte Carlo Casino opened in 1863, the bank has been broken into numerous times. The expression “break the bank” has been around since 1600, to which the gambler wins more money than the house (bank) could afford to pay. In fact, it became the coined expression in around 1873 when a roulette playing Englishman named Joseph Jagger won $350,000 (the day’s huge sum) at Monte Carlo Casino.
Lynn Ahrens (Ragtime & Once on the Island) & Stephen Flaherty (Ragtime & Once on the Island, also Anastasia) teamed up to create the musical Lucky Stiff. Inspired by the novel by Mr. Butterworth, they wanted to create a world that was witty, mysterious, an ‘uppity’ happening, and a farce. They included characters that function as a quasi-Greek chorus (a singing chorus), who reveal the crazy plot twists. Through them, we know it is okay to be confused and excited. They also urge you to remember there are others thinking of you and wanting you to succeed in life.
As you watch, I encourage you to look for those who feel familiar. See yourself and your loved ones in these characters, and embrace your connections with them, whether they may be crazy or lost.
More information on UVU Department of Theatrical Arts
Our mission is to produce and present artistic excellence, which would not be possible without the generous support of our sponsors. We thank them and express our deep gratitude to all patrons, supporters, and friends of The Noorda.
The arts possess the unparalleled power to inspire, educate, liberate, and transform. They elevate moments, mark milestones, soften edges, and generate profound meaning. Experience the beauty and wonder of the arts with us this season at The Noorda and begin at once to live!
Courtney R. Davis, J.D., M.A.
Dean, School of the Arts
Utah Valley University acknowledges that we gather on land sacred to all Indigenous people who came before us in this vast crossroads region. The University is committed to working in partnership—as enacted through education and community activities—with Utah’s Native Nations comprising: the San Juan Southern Paiute, Paiute Indian Tribe of Utah, Uintah & Ouray Reservation of the Northern Ute, Skull Valley Goshute, Confederated Tribes of the Goshute Reservation, Northwestern Band of Shoshone Nation, Hopi Tribe, Navajo Nation, Ute Mountain Ute-White Mesa Community, and urban Indian communities. We recognize these Native Nations and their continued connections with traditional homelands, mountains, rivers, and lakes as well as their sovereign relationships with state and federal governments. We honor their collective memory and continued physical and spiritual presence. We revere their resilience and example in preserving their connections to the Creator and to all their relations, now and in the future.
With this statement comes responsibility and accountability. We resolve to follow
up with actionable items to make the School of the Arts at UVU and The Noorda Center
for the Performing Arts an inclusive, equitable, and just space for all. There is
much work to be done, and we are committed to putting these words into practice.
Artwork by Shane Walking Eagle (Sisseton Dakota).
Chair, Associate Professor
LA BEENE, MFA
Associate Chair, Associate Professor
JULIE HEATON, MFA
Administrative Assistant
CURTIS CLUFF, MFA
Associate Professor
AMANDA CRABB, MM
Assistant Professor
JENNIFER DELAC, MFA
Lecturer
ELIZABETH GOLDEN, MFA
Lecturer
M. CHASE GRANT, MFA
Professor
LISA HALL, PHD
Professor
LAURIE HARROP-PURSER, MFA
Lecturer
SHANNON HUTCHINS, MFA
Assistant Professor
RICHARD LORIG, MFA
Professor
JOHN NEWMAN, PHD
Assistant Professor
STEVEN RIMKE, MFA
Lecturer
GRAHAM WHIPPLE, MFA