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The Noorda

2022-23 SEASON

Season Sponsor: DoTERRA

 

THE NOORDA CENTER FOR THE PERFORMING ARTS PRESENTS

CHANGYONG SHIN

March 14, 2023
7:30 p.m.
Concert Hall

 

PROGRAM


 
Fantasia in C Minor
Wolfgang Amadeus Mozart (1756 – 1791) 
 
Wolfgang Amadeus Mozart left a fragment of only 27 bars of a violin sonata from which Maximilian Stadler later composed a “completion” of the work for solo piano and published it posthumously in Mozart’s name as Fantasia in C Minor. It is unclear whether Stadler had Mozart’s sketch of the piece or if it was completely Stadler’s own creation. The Fantasia style embraces improvisational qualities which are unmistakable in this work. It thrives on searing dissonances, lack of harmonic resolution abundant chromaticism and unexpected harmonic twists. All of this to create a dark dramatic mood with great pathos along with figures of wispy delicacy.

 

 

 

G Major Sonata
Franz Schubert (1797 – 1828)
 

Franz Schubert, was declared by Franz Liszt to be “the most poetic musician that ever lived.” In his brief 31 years of life, Schubert composed a vast amount of music, including more than 600 songs for voice and piano. He wrote 11 completed piano sonatas and ten partially finished sonatas. The G Major Sonata was published in 1826. The first movement follows the traditional sonata form. The second movement is a tender, intimate Andante in 3/8 time, which includes some wildly contrasting sections replete with expressive Romantic harmonies. The Menuetto includes a beautiful ländler, (an Austrian folkdance). The Finale is a long and joyous rondo, seeming, ultimately to evaporate into thin air.

 

 

 

Los Requiebros
Enrique Granados (1867 – 1916)

Enrique Granados expressed his admiration for the starkly emotional canvasses and etchings of the artist Francisco Goya in a suite of evocative piano pieces he called Goyescas. The first piece in the set, Los Requiebros (flirtatious compliments), depicts a flirtatious conversation by means of twinkling ornamentation, snappy triplet figures, and scurrying inner voices. In Spanish tradition, such conversations might take place during an equally seductive dance.

 

 

 

Daisies
Lilacs
Sergei Rachmaninoff (1873 – 1943)

Sergei Rachmaninoff composed two sets of piano transcriptions of some of his own songs with texts by various poets. The text of the song Daisies indicates that a couple of people are quietly taking in a view of a field of daisies. One says to the other “Behold, my friend, the daisies sweet and tender . . .” Lilacs,is the fifth and perhaps best known song from Op. 21. The text, by Ekaterina Beketova, describes a pristine daybreak as the narrator walks along the dewy meadow to the lilacs where among them she will find her one true happiness. In its unassuming manner, Rachmaninoff’s settings eloquently capture the essence of these poems.

 

 

 


Réminiscences de Don Juan
Franz Liszt (1811-1886)

Franz Liszt was the most technically advanced pianist of his age and continues to be regarded as one of the greatest pianists of all time. Liszt lived to the age of 74 and besides a remarkable performance career, he composed an enormous amount of music including many virtuoso transcriptions of music by other composers and from other genres.Réminiscences de Don Juan is an opera fantasy for piano by Franz Liszt on themes from Mozart's opera Don Giovanni. It is extremely technically demanding and considered to be among the most taxing of Liszt's works and in the entire repertoire. 

 

 

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Biography


Passionate, inspired performances and brilliant technique are the hallmark of pianist CHANGYONG SHIN, First Prize Winner of the Gina Bachauer International Artist Competition, Seoul International Music Competition, and the Hilton Head International Piano Competition.

In 2021-2022 season, Changyong will make his debut performing two concerts on Prokofiev Piano Concerto No.5 with Seoul Philharmonic Orchestra at Lotte Concert Hall and Seoul Art Center Concert Hall in Korea. Mr. Shin will also perform Chopin Piano Concerto No.1 with Korean Chamber Orchestra at the Lotte Concert Hall as their In-House Artist series, and also Incheon Philharmonic Orchestra. Changyong will also perform a solo recital at Kumho Art Hall Yonsei in Seoul, Korea as their <Beautiful Thursday Artist Series>, and Lotte Concert Hall on all Chopin repertoire.

In 2020-2021 season, Changyong made a his sold-out recital at IBK chamber Hall at Seoul Art Center, all sold-out four cities of recital tour (Seoul, Incheon, Gwangju, and Ansan), performing Rachmaninoff Second Piano Concerto with Daegu philharmonic Orchestra, Mozart Piano Concert No.17 with Korean Chamber Orchestra as soloist of Symphony Festival at Seoul Art Center Concert Hall in Korea.

He has also given numerous solo performances throughout Asia, North America and Europe, including recitals at Carnegie Weill Hall, WQXR-FM’s Midday Masterpieces Series, Steinway Hall Artist Series, Newport Music Festival, Italy’s Barletta Piano Festival, Klavier- Festival Ruhr (Ruhr Piano Festival) in Essen, Germany, Kumho Cultural Foundation’s Artist series and Rising Star series at Kumho Art Hall, Paris’s Salle Cortot Hall, Lotte Concert Hall in Korea, Concert Hall at Seoul Art Center, IBK Chamber Hall in Korea, Evelyn Miller Young Pianists Series, Green Lake Festival of Music, Rose Wagner Center in Utah, Salt Lake City, Coastal Carolina University Guest Artist Series.

He has appeared as a soloist with many orchestras, including Utah Symphony, Hilton Head Symphony, Oakland Symphony, Seoul Philharmonic Orchestra, KBS Symphony Orchestra, Korean Chamber Orchestra, Daegu Philharmonic Orchestra, Gwacheon Philharmonic Orchestra, Bucheon Philharmonic Orchestra, Sendai Philharmonic Orchestra, and Daejeon Philharmonic Orchestra, Incheon Philharmonic Orchestra, and among others.

Mr. Shin is also a recording artist, where his debut CD was listed as one of the “Best New Recordings of 2018” by WQXR. His second album of Beethoven, Chopin, and Liszt which was released on Steinway & Sons Label, received rave reviews from ClassicToday. His latest album <Gaspard de la Nuit> was released on Stomp Music label in Korea, received high praise from Classical Music Journal “Pizzicato”.

An accomplished chamber musician, Mr. Shin has given chamber music recitals across the United States and in Seoul, Korea and Paris, France. Performances of note include a recital at the invitation of Kumho Art Hall, and a special performance of a new work by Korean composer Young-jo Lee at the Recital Hall in Seoul Art Center as a member of Korea National Institute for the Gifted in Arts. He has appeared in recital in such renowned venues as Seoul Art Center, Kumho Art Hall in Seoul, Daegu Concert House, Sejong Art Center, Louvre Museum, New York City’s The Greene Space, Philadelphia’s Holy Trinity Church, and Sonoma State University’s Green Music Center in California among others.

A native of South Korea, Changyong Shin received his Bachelor of Music from the Curtis Institute of Music, where he studied with Robert McDonald. Mr. Shin also earned his Master of Music and Artist Diploma program at The Juilliard School as a full-scholarship candidate and studied with Robert McDonald.
 

artists

 

Dean's Message

Courtney Davis

Our mission is to produce and present artistic excellence, which would not be possible without the generous support of our sponsors. We thank them and express our deep gratitude to all patrons, supporters, and friends of The Noorda.

The arts possess the unparalleled power to inspire, educate, liberate, and transform. They elevate moments, mark milestones, soften edges, and generate profound meaning. Experience the beauty and wonder of the arts with us this season at The Noorda and begin at once to live!

Courtney R. Davis, J.D., M.A.
Dean, School of the Arts

 
 

land acknowledgment

Land Acknowledgment

Utah Valley University acknowledges that we gather on land sacred to all Indigenous people who came before us in this vast crossroads region. The University is committed to working in partnership—as enacted through education and community activities—with Utah’s Native Nations comprising: the San Juan Southern Paiute, Paiute Indian Tribe of Utah, Uintah & Ouray Reservation of the Northern Ute, Skull Valley Goshute, Confederated Tribes of the Goshute Reservation, Northwestern Band of Shoshone Nation, Hopi Tribe, Navajo Nation, Ute Mountain Ute-White Mesa Community, and urban Indian communities. We recognize these Native Nations and their continued connections with traditional homelands, mountains, rivers, and lakes as well as their sovereign relationships with state and federal governments. We honor their collective memory and continued physical and spiritual presence. We revere their resilience and example in preserving their connections to the Creator and to all their relations, now and in the future.

With this statement comes responsibility and accountability. We resolve to follow up with actionable items to make the School of the Arts at UVU and The Noorda Center for the Performing Arts an inclusive, equitable, and just space for all. There is much work to be done, and we are committed to putting these words into practice.

Artwork by Shane Walking Eagle (Sisseton Dakota).

 
 

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