Women's Choir - Still I Rise: A Celebration of Women's Voices

 

UVU Music Presents

UVU Women’s Choir

Still I Rise:
A Celebration of Women’s Voices

Sponsored by the Dr. Bonnie Ballif-Spanvill Endowed Fellowship Research Institute at the UVU Women’s Success Center

Concert Hall

Apirl 22, 2022 | 7:00 PM

 
 

Program

UVU Women's Choir

Dr. Cherilyn Worthen

conductor

with special guests

Cadence

Corner Canyon High School

Melissa Thorne

conductor

Fils de Dieu (Child of God)

Jared Oaks (b. 1982)

A chamber oratorio with poems about Joan of Arc by Suzanne Lundquist
World Premiere

 

I. Introduction: May 30, 1431
II. The Song of Joan
III. How Sounds the Voice of God
IV. Yeshua and the Soldier’s Ear
V. Mother of Joan: Isabella Romèe
VI. Dance: Pavane
VI. On Behalf of the King of Heaven
VIII. Ensign
IX. Dance: Carole
X. The Virgin Knight: la Pucelle
XI. Savior and Saint.
XII. I Am the Fourth Song

Demaree Brown, Melissa Heath, Clara Hurtado Lee, and Aubrey Adams-McMillan, soloists

 

Alison Olsen, flute

Seretta Hart, flugelhorn

Nicole Pinnell, cello

Chelsea Jones, percussion

Jared Oaks, piano

 

Mary Ann Schaefer, dancer

Emily Adams, choreographer 

 

 

[INTERMISSION]

Warrior

Kim Baryluk (b. 1959)

 

Text

I was a shy and lonely girl
With the heavens in my eyes,
And as I walked along the lane,
I heard the echoes of her crise.

I cannot fight,
I cannot a warrior be;
It’s not my nature nor my teaching,
It is the womanhood in me.

I was a lost and angry youth,
There were no tears in my eyes.
I saw no justice in my world.
Only the echoes of her cries.

I cannot fight,
I cannot a warrior be;
It’s not my nature nor my teaching,
It is the womanhood in me.

I am an older woman now,
And I will heed my own cries,
And I will a fierce warrior be
‘Til not another woman dies.

I can and will fight.
I can and will a warrior be.
It is my nature and my duty,
It is the womanhood in me.

—Kim Baryluk

The Marketplace

Brent Wells (b. 1977)

 

Text

In the early morning, women gather in the marketplace
Carrying baskets, brimming with weariness of life—
On their heads, on their backs, in their arms.
Women gather…

Showing every detail of their poor lives,
They are pushed and pulled…
All are shouting for their lives...and struggle.

All day long they measure their bundles of life
With tubs, and scales, and yardsticks.
When darkness falls, the women depart,
Carrying on their heads the bitterness of life they have exchanged.

—Yun Dong-ju (1917-1945)

Song for Sarajevo

Judy Collins
Arr. Snyder (b. 1953)

Molly Flake, assistant conductor

Katrina McNiven, piano

 

Text

Blood in all the streets, running like a flood
There's no where to hide, no where that I can go
I reach out my hand, touching death itself
Just a holy day in Sarajevo

I can hear my heart, pounding like a clock
Hiding from the planes and from the bombing
Fire from the sky, burning down my life
There is no more love and no more longing

But when I close my eyes:
I dream of peace
I dream of flowers on the hill
I dream I see my mother smiling
When I close my eyes I dream of peace

Once I had a home, once my life was good
Once my mother sang to me and held me
Then the fire came, falling from the sky
There is no one left who can protect me

War's a wicked bird that never comes to rest
Feeding on the dreams of all the children
War's an evil bird flying in the dark
Every holy promise has been broken

But when I close my eyes:
I dream of peace
I dream of flowers on the hill
I dream I see my mother smiling
When I close my eyes I dream of peace

Can't you stop the war, bring it to a close
You are tall and strong and I am just a child
Can't we live in peace, stop the flowing blood
Make a blessed world where I can be a child

When you close your eyes:
Do you dream of peace?
Do you dream of flowers on the hill?
Do you dream you see your mother smiling?
When you close your eyes do you dream of peace?

Open up your eyes and give us peace.
—Judy Collins

On Children

Ysaye Barnwell (b. 1946)

June Sperry, assistant conductor

 

Text

Your children are not your children;
They are the sons and daughters of
Life's longing for itself.
They come through you
but they are not from you
And though they are with you

They belong not to you.

You may give them your love
but not your thoughts,
They have their own thoughts.
They have their own thoughts.
You can house their bodies but not their souls,
For their souls dwell in a place of tomorrow,
Which you cannot visit,
not even in your dreams.
You can strive to be like them,
but you cannot make them just like you.
Strive to be like them
but you cannot make them just like you

You may give them your love
but not your thoughts,
They have their own thoughts.
They have their own thoughts.
You can house their bodies but not their souls,
For their souls dwell in a place of tomorrow,
Which you cannot visit,
not even in your dreams.
You can strive to be like them,
but you cannot make them just like you.
Strive to be like them
but you cannot make them just like you

—Kahil Gibran

Where the Light Begins

Susan LaBarr (b. 1981)

 

Text

Perhaps it does not begin,
Perhaps it is always.

Perhaps it takes a lifetime
To open our eyes, to learn to see
What has forever shimmered in front of us—

The luminous line
of the map
in the dark

The vigil flame
In the house
Of the heart
The love
So searing
We cannot keep from singing,
From crying out
In testimony and praise.

Perhaps this day
Will be the mountain
Over which the dawn breaks.

Perhaps we will turn our face
Toward it,
Toward what has been
Always.

Perhaps our eyes
Will finally open
In ancient recognition,
Willingly dazzled,
Illuminated at last.

Perhaps this day
The light begins
In us.

—Jan Richardson

The Universal Whisper

(Power)

Daniel J. Hall (b. 1971)

World Premiere

with UVU Chamber Choir Women

 

Text

when she learned that
she didn’t have to plug into
someone or something

like a toaster into the wall

when she learned that she
was a windmill and had only to
raise her arms

to catch the universal whisper
and turn
turn
turn

she moved
oh, she moved

and her dance was a marvel

— Carol Lynn Pearson

Be Like the Bird

Abbie Betinis (b. 1980)

Paige Kimball, soloist

Sing to Me

Andrea Ramsey (b. 1977)

Cadence from Corner Canyon High School

Melissa Thorne, conductor

Katie Burnett, piano

Still I Rise

Rosephanye Powell (b. 1962)

Hannah Boyack, Amy Larsen, Grace Nish, and Vienna Vaughn, soloists

Taggart Bradbury, percussion

Combined Choirs

 

Text

Though I have been wounded; aching heart, full of pain.
Jus’ like a budding rose, my bloom is nourished by rain.
Haven’t time to wonder why, though fearful I strive.
My prayer and faith uphold my ‘til my courage arrives.

Still I rise as an eagle, soaring above ev’ry dear.
With each day I succeed, I grow strong an’ believe that it’s all…
Within my reach; I’m reaching for the skies,
Bolstered by courage, yes, still I rise.
Yes, it’s all within my reach I’m reachin’ for the skies,
Yes, still I rise.

Gentle as a woman; tender sweet are my sighs.
Strength is in my tears and healing rains in my cries.
Plunging depths of anguish,
I determine to strive.
My prayer and faith uphold me ‘til my courage arrives.

Though you see me slump with heartache;
Heart so heavy that it breaks.
Be not deceived I fly on birds’ wings,
Rising sun, its healing rays.

Look at me you see a woman;
Gentle as a butterfly.
But don’t you think, not for one moment,
That I’m not strong because I cry.
Yes, still I rise as an eagle…

—Rosephanye Powell

 

Composer
Biographies

Jared Oaks

Jared Oaks, one of the leading young ballet conductors in the United States, is Music Director of Ballet West. Since joining the company in 2008, Jared has maintained a rigorous conducting schedule, in addition to playing for rehearsals and classes. He has conducted performances for Houston Ballet and The Sarasota Ballet; and he has worked with the Anchorage Symphony Orchestra, the Chicago Sinfonietta, the Kennedy Center Opera House Orchestra, among others.

Jared’s numerous compositions include chamber ballets for Ballet West, Charlotte Ballet, and Mid-Columbia Ballet. He is passionate about choral music, local history, and poetry. Jared is also a fellow of the American-Scandinavian Foundation and co-founder of the Composer Discovery Initiative.

 

Daniel J. Hall

Daniel J. Hall is director of choral activities at Lycoming College, where he conducts the Lycoming Concert Choir and Chamber Choir. He also serves as conductor of the Williamsport Chamber Choir and Orchestra.

As an actively commissioned composer, Hall’s works have been featured in venues such as Carnegie Hall and Lincoln Center, with performances as far away as Venezuela and Ireland’s Cork International Choral Festival. His music has been widely featured at festivals and conventions, including national American Choral Directors Association conventions in Chicago, Oklahoma City, New York, Salt Lake City, Minneapolis, and divisional ACDA conventions in Kansas City, Memphis and Reno. In recent years, all-state festival choruses in Alabama, Arizona, Florida, Kentucky, Minnesota, New Hampshire, New Jersey, New Mexico, New York and Texas have performed his music. His scores are published with Walton Music, Colla Voce Press, Pavane and Santa Barbara.

 

Coming Soon
The Noorda

School of the Arts
Events

 

Land Acknowledgment

Utah Valley University acknowledges that we gather on land sacred to all Indigenous people who came before us in this vast crossroads region. The University is committed to working in partnership—as enacted through education and community activities—with Utah’s Native Nations comprising: the San Juan Southern Paiute, Paiute Indian Tribe of Utah, Uintah & Ouray Reservation of the Northern Ute, Skull Valley Goshute, Confederated Tribes of the Goshute Reservation, Northwestern Band of Shoshone Nation, Hopi Tribe, Navajo Nation, Ute Mountain Ute-White Mesa Community, and urban Indian communities. We recognize these Native Nations and their continued connections with traditional homelands, mountains, rivers, and lakes as well as their sovereign relationships with state and federal governments. We honor their collective memory and continued physical and spiritual presence. We revere their resilience and example in preserving their connections to the Creator and to all their relations, now and in the future.

With this statement comes responsibility and accountability. We resolve to follow up with actionable items to make the School of the Arts at UVU and The Noorda Center for the Performing Arts an inclusive, equitable, and just space for all. There is much work to be done, and we are committed to putting these words into practice.

DEPARTMENT OF MUSIC

Department Chair
JEFFREY O'FLYNN

Administrative Assistant
CHRIS GINES

 

Chamber Choir/Deep Green
REED CRIDDLE

Emerald Singers
CHERILYN WORTHEN

Concert Choir
DEMAREE BROWN

Opera Coordinator
ISAAC HURTADO

Voice Coordinator
MELISSA HEATH

 

Private Voice Instructors
AUBREY ADAMS-MACMILLAN
CECILY BILLS
ADRIENNE BRAUN
DEMAREE BROWN
ANTHONY BUCK
REED CRIDDLE
MELISSA HEATH
CHRISTOPHER HOLMES
ISAAC HURTADO
CONSTANCE JENSEN
SERENA KANIG BENISH
EMILY MERRELL
JOSEPH MOORE