Sep 9-11, 13-18 at 7:30 PM
Amphitheatre
Directed by Julie Heaton
Jeremy Sortore
Triniti Murray
Janice Chan
Michelle Walling
Graham Whipple
Andrew Domyan
Krystal Gates
David McKain
The Heidi Chronicles is presented by special arrangement with Dramatists Play Service, Inc., New York.
Imagine
Written by John Lennon
Published by Downtown Music Publishing LLC
o/b/o Lenono Music (GMR)
It’s In His Kiss
Written by Rudy Clark
Published by Trio Music Company (BMI)
o/b/o itself and By the Bay Music (BMI)
Used by permission.
All rights reserved.
Respect
Words and Music by Otis Redding
© Irving Music, Inc. (BMI)
Not for broadcast transmission.
All rights reserved. DO NOT DUPLICATE.
You Send Me
Written and Performed by Sam Cooke
Published by ABKCO Music, Inc.
Courtesy of ABKCO Music & Records, Inc.
www.abkco.com
The Heidi Chronicles is a Pulitzer Prize-winning play, written in 1988. I’ve been familiar with the title for quite some time, but finally read it about a year ago and was amazed at how well I could relate to it. Although the events of the play date back as much as 50+ years, the themes and challenges of the female experience were so familiar. I felt like I not only knew her, I could almost be her.
Chronicle, defined: a factual written account of important or historical events in the order of their occurrence.
We start with a look at the awkward teenage years, the longing to belong despite the typical insecurities that come with the high school experience. I don’t know about you, but yep, been there. We move next to the early college years, where she tries to figure out who she is, all the while influenced by friends, politics, and no longer her childhood home – yes, I remember this experience too. Eventually, she finds herself in love (in different ways of course) with two men – one who is gay, and one who will never settle down - he really just enjoys the brief, no-strings attached encounters. Well, this is not ideal… Fast forward to career establishment, the mid-30’s, the ever relentless “biological clock” in the background of real life-changing, career-catapulting opportunities, shadowed by more relationships that “didn’t work out” and baby showers to remind her of all the things she still hasn’t achieved yet. This. Is. Exhausting.
Wendy Wasserstein perfectly captures the life and ambitions of women everywhere, both in the workplace and home, both single and married, both gay and straight, both maternal or otherwise. I think the really relatable theme for me, is this question of whether or not women are allowed to “have it all.” And what does “having it all” actually look like? Does building a happy and fulfilling life ever really look like what we thought it was going to? Probably not. I think Heidi shows us that, and that it’s okay
I’m grateful for what Heidi has taught me these last several months and I hope you find the same. I hope you walk away tonight asking yourself what it means for YOU to have it all. May you find the career, the partner, the fertility, the connections, and all the opportunity you desire. And may you be secure in knowing that you are the ONLY one who can decide what your happiness looks like, and the courage to make it happen. Enjoy the show.
~Julie Heaton
MAREN LETHBRIDGE
CALEB COLLIER
DALLIN SUMAN
MADDIE SMITH
DOMINIQUE MORRISON
CEDI CHRISTENSEN
WHITNEY CALL
SYDNEY SWALBERG
BRENDAN HANKS
McKenna Stewart
Ramses Contreras
Elizabeth Harris
Emily Esparza
Chloe Henry
Sasha Wilkinson
Addie Bowler
Mackenzie Turner
Ashtyn Waters
Kathleen Balanzategui
Juliet Elise Lorentzan
La Beene
La Beene
Graham Whipple
The Kennedy Center American College Theater Festival is sponsored by the U.S. Department of Education;Dr. Gerald and Paula McNichols Foundation; The Honorable Stuart Bernstein and Wilma E. Bernstein; the Kennedy Center Corporate Fund; and the National Committee for the Performing Arts.
This production is entered in the Kennedy Center American College Theater Festival (KCACTF). The aims of this national theater education program are to identify and promote quality in college-level theater production. To this end, each production entered is eligible for a response by a regional KCACTF representative, and selected students and faculty are invited to participate in KCACTF programs involving scholarships, internships, grants and awards for actors, directors, dramaturgs, playwrights, designers, stage managers and critics at both the regional and national levels.
Productions entered on the Participating level are eligible for inclusion at the KCACTF regional festival and can also be considered for invitation to the KCACTF national festival at the John F. Kennedy Center for the Performing Arts in Washington, DC in the spring of 2011.
Last year more than 1,300 productions were entered in the KCACTF involving more than 200,000 students nationwide. By entering this production, our theater department is sharing in the KCACTF goals to recognize, reward, and celebrate the exemplary work produced in college and university theaters across the nation.
Chair, Associate Professor
LA BEENE, MFA
Associate Chair, Associate Professor
JULIE HEATON, MFA
Administrative Assistant
CURTIS CLUFF, MFA
Associate Professor
AMANDA CRABB, MM
Assistant Professor
JENNIFER DELAC, MFA
Lecturer
ELIZABETH GOLDEN, MFA
Lecturer
M. CHASE GRANT, MFA
Professor
LISA HALL, PHD
Professor
LAURIE HARROP-PURSER, MFA
Lecturer
SHANNON HUTCHINS, MFA
Assistant Professor
RICHARD LORIG, MFA
Professor
JOHN NEWMAN, PHD
Assistant Professor
STEVEN RIMKE, MFA
Lecturer
GRAHAM WHIPPLE, MFA